“The Case of Di Gong of the Tang Dynasty” has a high-octane ending and a strange case that uses the truth to explore the merits of human nature
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The ninth most mysterious case “Chaoyun Library” has once again set off a wave of tension in “The Case of Di Gong of the Tang Dynasty” which is coming to an end! Under the calm surface, there are many doubts and crises. The audience has an immersive experience of following the judge to discover the truth and examine people’s hearts. As the Chaoyun Library case comes to light, young Di Renjie joins the investigative team from becoming an official to being appointed as the magistrate of Lanfang County. He solves strange cases together with the detective team, and his journey to serve the public in establishing justice, observing the law, protecting kindness, and maintaining order has come to an end. , let go of the obsession with life experience, and achieve positive results with Cao An, Di Renjie’s personal growth also ushered in a stage of perfection.
“The Case of Di Gong of the Tang Dynasty” is the only suspense detective drama in ancient costumes aired during the Spring Festival. It is a “hard dish” to please the audience and has received a good response. Kuyun data shows that the drama has the highest ratings of 1.5254% on CCTV’s eight channels, with an average rating of 1.1972%. It has ranked first in the average ratings of all post-prime time channels for 21 days in total, and has ranked first on Youku for 15 days. Currently, it ranks first on all channels. The average number of plays exceeded 30 million. A young and lively new image of Di Renjie appears on the screen. This is a landmark integration and mutual learning in the history of cultural exchanges between China and the West. It also achieves innovation and upgrading in the entire link of literature, film, television and culture.
Literature, film and television are heading towards hard-core suspense to broaden genre expressions
“The Case of Di Gongan of the Tang Dynasty” is adapted from the novel of the same name by the Dutch writer Gao Luopei, which absorbs the literary essence of Eastern public cases and Western detective novels. Adapting such a classic IP with widespread global influence into film and television, assembling a front-line creative team, and using an ingenious team and powerful actors to escort the creation, we have achieved a two-way journey between literature and film. In addition, on the basis of retaining the spiritual core of the original work that “the world is impermanent, justice will last forever”, “The Case of Di Gong of the Tang Dynasty” brings the image of Di Renjie, a young man who is both civil and military, adheres to law and justice, and is not afraid of power, from the screen into the hearts of the audience, making ” The images of “Di Gong” and “Di Ming Mansion” are innovatively presented in the modern context. At the same time, the narrative strategy and style characteristics of “the form is dispersed but the spirit is not dispersed” also contributed to Di Renjie’s self-growth in the process of solving strange cases.
The whole play absorbs the structural characteristics of Oriental public cases, and organizes the plot in the form of units. At the same time, Di Renjie’s way of performing his duties connects the connections between the unit cases. The “road drama” format is eye-catching. From Chang’an to Lanfang, passing through towns, border fortresses, deserts, rivers and seas, you can enjoy the style of the Tang Dynasty by “changing scenery every step of the way”. The beauty of the Tang style is unique. In addition, the “Rain Master” from “The Classic of Mountains and Seas” and the “Laws of the Tang Dynasty” derived from textual research not only enrich the element level of ancient costume suspense detective cases, but also continue to bring new ideas to the audience. “Chinese-style suspense” creates “spiritual violence” “Shock” often makes the audience sigh, “This is what a suspense drama suitable for Chinese babies’ physiques should be like.”
Suspense, human nature, the inside and outside, the integration of Chinese and Western cultures is of great significance
The first season of “The Case of the Emperor of the Tang Dynasty” has a total of nine mysterious cases. The series of twists and turns and the clues scattered in the plot make the audience have to “bring a magnifying glass” to follow the drama to avoid missing the details and affecting the progress of “immersed in solving the case”. and accuracy. The “cloud detectives” are not only keen on discussing the details of the case online, but also lament the subtleties of human nature, the clear justice and the implementation of laws and regulations in the play, and their “desire for expression” is overwhelming. The difference in stance between Di Renjie and his brother Di Ying, who is the “Black Flame”, triggered a comprehensive discussion among netizens on justice, legal principles, human nature and power. An expert commentary published by “Guangming.com” mentioned that in “The Case of Di Gong of the Tang Dynasty” “Di Renjie’s understanding and actions of reviving the laws of the Tang Dynasty and cleaning up the mountains and rivers are his duty as a historical minister to be loyal to the country and treat the people sincerely. It is also the responsibility of the Chinese nation.” The historical personality of a man with lofty ideals in traditional culture also echoes the spirit of the times in today’s China’s administrative governance of society in accordance with the law in terms of the value dimension of historical initiative.” From the practical perspective, it is pointed out that the play intertextualizes with reality, resonates with the audience, and is in sync with the times. The key to frequency.
In addition, “The Case of Di Gong of the Tang Dynasty” is a literary work written by a foreign writer about the famous Chinese historical minister Di Renjie. It has been adapted into a film and television version after nearly half a century. Its status as a “cultural messenger” is also of great significance to the times. An expert review published by “Liberation Daily” pointed out that the play “brought Di Gong, a historical and cultural symbol, back from overseas. After completing localized decoding and encoding, it was written into contemporary footnotes, carrying traditional culture and reaching the public.” “Wen Wei Po” said. From the perspective of literary adaptation and cultural export, the play’s innovative attempts and practical significance are highly recognized, “forming the cultural cycle phenomenon of China-West-China, and achieving this unique and classic case in the history of Chinese and Western cultural communication.”
The series explores, looks forward to delay, accumulates strength and pioneers, demonstrating creative consciousness.
With the conclusion of “The Case of Di Gong in the Tang Dynasty”, Di Gong’s story has come to an end for the time being. From the daily lives of ordinary people flying close to the ground, to ancient suspense investigations full of doubts, 2016 Film and Television, which is deeply involved in realist creation, has taken the first step for creators to break out of their “comfort zone” through “The Case of Di Gong of the Tang Dynasty” . As the first costume-themed drama he created, this drama continues his consistent creative attitude of solid dramas, well-produced works, and great attention to detail. His detailed insight into human nature and immersive thinking about life have enabled him to find an emotional and spiritual link that connects ancient and modern times and share the beauty and beauty, explore his own creative potential, explore new possibilities while continuing the “long board”, and show first-line creation The team’s innovative consciousness and vigorous self-driving force.
It is reported that “The Case of the Emperor of the Tang Dynasty” is produced by CCTV, Youku, Ruyi Pictures, 2016 Film and Television, Leihai Guanlang Film and Television, and filmed by 2016 Film and Television. Zhang Jiayi serves as the art director. It is adapted from Gao Luopei’s eponymous film. Novel, chief director Li Yunliang, chief screenwriter Jing Yu, starring Yiwei Yi, Wang Likun, and Zhong Chuxi, special guest appearances by Zhang Jiayi and Zhang Ruoyun, starring You Yongzhi, Ji Ta, Ling Zi, starring Li Chen and Li Naiwen, Yang Xue, Chen Du Ling, Wang Jinsong, and Jiang Yi star in the unit, and Yin Xiaotian also stars.
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