The opening chapter of “Warm and Sweet” ignites emotional gunpowder and the strong plot shows the “war and peace” of family, friendship and love
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Directed by the famous director Liu Jiang, starring Victoria Song, Michelle Chen, Lu Yi, Jing Chao, and Sun Jian, the national people’s livelihood emotional drama “Warm and Sweet” officially landed on the dual platforms of Hunan Satellite TV and Mango TV at 8:00 pm on May 3. broadcast. Judging from the plots that have already been broadcast, the emotional tone laid by “Warm and Sweet” is not as warm as the title, but revolves around the emotional clues of Nan Fei played by Song Qian and Qi Jiayi played by Michelle Chen , the beginning is the battlefield, and the smoke between love and family is full of gunpowder.
The plot conflicts with strong plots triggered an upsurge of viewers chasing the drama. On the night of the premiere, the topic of #暖农的甜的开始# was on the hot search, with a total reading volume of the topic exceeding 600 million. City Central Satellite TV’s prime-time ratings, CSM64 urban and provincial satellite TV’s prime-time ratings, Kuyun TV’s prime-time live broadcast attention, Maoyan TV drama popularity list, Guduo TV drama popularity index ranking, Lighthouse TV drama broadcast market share, VLINKAGE TV drama broadcast index Waiting for TOP1 on the multi-dimensional list, setting a record for Hunan Satellite TV’s 2023 TV drama launch. In the play, Nan Fei and Qi Jiayi’s “two-way running” style of girlfriends’ love after each encountering an emotional crisis, urban men and women’s “carrying forward with heavy burdens” trapped by love, and the “family network” supported by old drama bones in the play are all intertwined The “war and peace” of family, friendship, and love makes “Warm and Sweet” pay more attention to the daily life of men and women in society, and makes the audience in front of the screen resonate at the same frequency as the protagonist in the play laughs and cries, which is full of highlights.
Aspect 1: Girlfriend love
Song Qian and Qi Jiayi staged the two-line rush of “A Tale of Two Cities”, and empathized with the audience for the healing of love on the screen
In the play, Nan Fei, a plastic surgeon played by Song Qian, and Chen Fang, an artist played by Lu Yi, have been in love for four years, but it caused conflicts between emotional problems and work reality. After experiencing the marriage and love dilemma of hidden divorce and being mistressed, Nan Fei resolutely faced the problem and chose to give up. At work, Nan Fei has the courage to dare the dean and director to be “positive”. Facing the staff of the whole hospital, she turned the “review meeting” into a “resignation speech”. Let this hard-edged professional elite show his style. In the scene of breaking up with Chen Fang, Song Qian’s crying scenes were both forbearable and outburst, and her emotions were controlled just right. Song Qian also had an affectionate dialogue with this character outside the play, “Stubbornness and sharpness are just your appearance. I understand the softness of your heart, and I also understand your courage to know the world but not the world. Don’t worry, do everything you want to do.”
The designer Qi Jiayi played by Chen Yanxi is also a self-reliant and self-reliant female representative, but her character is more gentle and circuitous. In the face of the sudden visit of the “mother-in-law-to-be”, Michelle Chen’s micro-expression is just right; when encountering difficulties at work, she also has her own cleverness to solve them; in front of her mother, she shows an image of being coquettish and taking care of the overall situation….. .Watching “The Girl We Chased in Those Years” Michelle Chen put on her wedding dress again on the screen, and watching “Runaway Bride” want to go to the life she wants, do we also have mixed feelings of looking back on youth and facing the unknown as well? What about the anxiety of life?
In the play, Nan Fei and Qi Jiayi live in two places, busy with their work and life between Beijing and Shanghai, and the hand in hand and madness, mutual support and encouragement between them after meeting also moved the audience to their “A Tale of Two Cities” The two-line rush. The two people’s single nights, drunk talk, long talks, and healing for love also resonated with the audience, “Even if you fall to the bottom of life, it is a happy thing to have the hands stretched out by your confidant.”
Aspect 2: Love Line
Show the love choices of urban mature men and women, pay attention to the social radiation, and make the role interpretation more three-dimensional
“Warm and Sweet” not only shows the work and life of mature women from the perspective of women, but the sociality reflected in the play is actually very wide. Chen Fang, played by Lu Yi, has a successful career. After Yin Yin divorced, he wanted to go to his own life, but he hesitated under the shackles of his ex-wife and son. Faced with the request of the elderly in the family to remarry and the sense of responsibility of his ex-wife and son, Chen Fang interpreted by Lu Yi can be described as a dilemma. And he also added the character’s forbearance and melancholy to the shape of Chen Fang’s beard. At the same time, several scenes of hesitation with the old man and the confession of true love with Nan Fei also made the emotion of Chen Fang’s character real and realistic. . When talking to the characters, Lu Yi said, “Life is difficult to be successful in everything, and occasionally you will be caught in a dilemma. Your hesitant side is actually your responsible and responsible side. I understand your difficulty.” Lu Yi’s control and interpretation of this role in the play also added a lot of highlights to the play.
The “groom-to-be” Xu Xi, who has an emotional rivalry with Qi Jiayi, is also a big surprise at the beginning. Cao Zheng vividly interprets the image of a typical phoenix man, who is always calculating, loves to take advantage of small things, and meets his mother’s provocation to his girlfriend. I can’t avoid it…”Warm and Sweet” presents each character delicately, three-dimensionally and plumply, and the step-by-step acting skills of the actors also make the audience feel very involved. After urban mature men and women have taken root in society, emotional comfort has become the embellishment of life. The plot pays more attention to the fusion of two families and the fusion of different concepts under the choice of love. As director Liu Jiang said, “”Warm and Sweet” is not a simple drama that only talks about marriage and love. The lives of young people in the past 20 years have been taken care of in an all-round way.”
Aspect 3: Family Circle
Ma Baonan, urging marriage, and Phoenix male keywords are locked, and the confrontation of old dramas will resonate
From the love line to the family circle, the plot of “Warm and Sweet” naturally extends to the fusion of the concepts of the two families, which is vividly displayed in the rivalry between Jia Yima played by Pan Hong and Xu Xima played by Tian Min . One is a typical delicate woman in Shanghai, trying her best to support her daughter, she is exquisite in literature and art without losing her spirit; the other is a traditional woman who sells steamed buns in her hometown, she is careful about budgeting everywhere, and her feudal thinking is deeply rooted. The two mothers have distinct personalities, and the rivalry between each other is also full of gunpowder. The scene of discussing the wedding between the relatives performed by the old drama has resonated with many audiences: “As a Shanghai native, it is easy to understand Jiayi’s mother. If my mother-in-law is like this, My parents will never let me marry, isn’t the man a typical phoenix man?” “The scene where my parents appear in the play is really exciting. It’s really enjoyable to have a few veteran actors get together to play together.”
In addition, Nan Fei’s mother added her own mate selection thoughts to her daughter while urging marriage; presented one by one. The “war without gunpowder smoke” between the two generations made the audience empathize. Although there are many characters at the beginning of “Warm and Sweet”, each character is three-dimensional and distinct, as if the audience saw the shadows of familiar relatives and friends around them. Liu Jiang said, “An artistic image is a collection of individuals in life. Realistic themes are closest to the audience, and various characteristics of the characters can find references in life.” “Warm and Sweet” did it.
On the way to find true love, never compromise; when you touch your heart, embrace you. Watching “Warm and Sweet” ignite emotional smoke, how the protagonist will go to true love and reap happiness, please continue to pay attention to Hunan Satellite TV and Mango TV, “Warm and Sweet” invites you to chase love together!
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