The Dimension of Sound: Exploring the New Music Language of East-West Fusion with Spatial Audio
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Tianjin North News:The fusion of east and west, the collision of ancient and modern——sincemid 20th centurythis wordThe problem has been launched in music, art, and architecture. Especially in the expression of music, the mystery and restraint of oriental music intertwine with the openness and diversity of western music, which makes the styles of musicians’ works richer and more diverse, integrating the essence of different cultures and traditions.However, with the passage of time, the world pattern is constantly changing. In today’s context, “fusion of east and west“How is it reflected in the works of musicians?
To celebrate the 100th birthday of the famous Chinese composer Zhou Wenzhong in the United States, the Beijing independent music labelbie Records Assemble nine groups of original musicians and sound artists to officially release the compilation album——“Living Water: A Continuing Discussion on the Blending and Co-evolution of Eastern and Western Music” initiated by Zhou Wenzhong (hereinafter referred to as“running water“).Adhering to Zhou Wenzhong“East and West, Past and Present“The creative concept of re-integration, byApple Ecosystem and spatial audio technology supporting Dolby Atmos are the basis for production. Through the sharp attitude and practical spirit of experimentalists, this compilation actively explores the infinite possibilities of sound and inspires a deeper cultural exchange.
“running water”Gathering Du Yun, Li Huadi,Gooooose,33EMYBWHua Lun Band, Sun Dawei,Knopha,otay: onii as well asYoann Pisterman A total of nine groups of creators from China and around the world. They have different generations, different backgrounds, and diverse styles of music. Over the years, they have created different aspects of classical music, electronic music, rock music, ambient music, and experimental music. , and brought different connotations, extensions and emphases around the same theme“fusion music“providing their own insightful insights.
In the listening session of the “Living Water” compilation album, the audience experienced an immersive music feast of “integration of East and West” with the support of spatial audio technology in Dolby Cinema’s Dolby Atmos sound effects.
“Living Water” Compilation Audition Session
“Nanshan Qiyin” inspired by “Shan Hai Jing”, experimental electronic musician33EMYBWIn the work, images such as black tortoise, nine-tailed fox, raccoon force, and Nanshan mountain god are woven. These beasts described by sound in “Shan Hai Jing” use electronic elements to visualize abstract text into sound in “Nanshan Qiyin”. Powered by spatial audio technology, the sounds of birds and beasts surround the listener in a well-proportioned way, as if they are in the mountains of heaven and earth, living in harmony with nature.
Hu Chao, one of the creators of “Kangji Bridge” and guitarist of Hua Lun Bandargue that, for musicians, spatial audiolike2Darrive3DDimension boost for :“The sense of immersion is stronger for the audience, and due to the increase in dimensionality, some music details that may have been overlooked in stereo will be easier for the audience to hear.“
Spatial audio technology, as an innovative audio processing method, enables music listeners to obtain a more immersive and immersive listening experience by adding information such as direction, position, and depth to audio. This technology can not only provide more realistic and layered sound, but also create a unique musical environment, so that musical works can better convey the creator’s intention and emotion.
bie Records Founder Meng Jinhuiexplain:“Technology has always been an important factor affecting the development of music.The emergence of spatial audio gives creators the opportunity to use new presentation methods to provide listeners with a new listening experience, whileApple MusicThe international dissemination of the Internet also breaks the geographical barriers, so that more people can share together in the first time.“
“Living Water” collection is available on Apple Music
In Sun Dawei’s “Foot Realm”, the timbre of the guqin runs throughout, and the ending part incorporates electronic sound effects to dilute the guqin and release it in the mist in the mountains. It combines the blank space technique of Chinese ink painting and Western electronic music.A sense of experimental atmosphere. Sun Dawei believes that the score of Guqin shows the oriental wisdom of adaptability because there is no clear rhythm mark. In the spatial framework built by electronic sound, the sound of Guqin is more “aura”. In poetry, there is a very important point of view in Chinese aesthetics, which is called “emptiness leads to the exchange of spirit and energy”. It should be empty and not substantive. Chinese aesthetics calls this important principle implicit. Oriental aesthetics, like “Mandarin” in Chinese, can never describe the clear and vague meaning of a word in “hometown dialect”. It changes and flows with nature, like running water, invisible but full of charm and strength. Backtracking paths will always find the source of water.
When Li Huadi, the author of “阢笕”, talked about the expression of fusion music between East and West, he also believed that “Chinese“Speciality” is indescribable in Chinese-Western fusion works, just as the artistic conception and spirit of Chinese traditional culture interact with Western music in the refined abstraction and translation of Zhou Wen to achieve a state of integration.
In the future, based on the continuous development of technologies such as spatial audio,The precision of western music and the verve of oriental music will achieve fluid blending in more diverse ways and broader possibilities. Not sticking to labelled, representative styles and passages, regaining the original sensitivity to sound,Returning to the source of life and self, this may be the new musical language of contemporary “ancient and modern, east and west”.
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