“Power Code” Observation Symposium Held in Beijing Experts and Scholars Co-evaluate The Main Theme Film Innovation

On the afternoon of June 27th, hosted by the China Film Association, the Propaganda Department of the Zhejiang Provincial Party Committee of the Communist Party of China, the Propaganda Department of the Anhui Provincial Party Committee of the Communist Party of China, and the Propaganda Department of the Jiangxi Provincial Party Committee of the Communist Party of The film “Power Code” observation seminar undertaken by the Propaganda Department of the Ningbo Municipal Party Committee, Ningbo Radio and Television Group, and the People’s Government of Beilun District, Ningbo City was held at the China Film Association.

Zhang Hong, member of the party group and secretary of the Secretariat of the China Federation of Literary and Art Circles, Zhang Hong, secretary of the branch party group of the China Film Association, and Xu Fang, executive deputy director of the Propaganda Department of the Ningbo Municipal Party Committee of the Communist Party of China, attended the seminar and delivered a speech. Li Ke, secretary of the party committee and president of Ningbo Radio and Television Group, introduced the film situation, Anhui Zhou Yu, Secretary of the Party Committee and Chairman of the Radio and Television Group, Deputy General Manager of Jiangxi Publishing and Media Group, Zhou Jiansen, Secretary of the Party Committee and Chairman of Jiangxi Film Group, delivered speeches, and Duan Yuehao, the screenwriter of the film, attended the seminar. Zhong Chengxiang, a famous literary critic and librarian of the Central Research Institute of Culture and History, consultant of the China Film Association, chairman of the China Film Producers Association, former director of Bayi Film Studio Ming Zhenjiang, member of the Presidium of the Chinese Writers Association, and the Theoretical Criticism Committee More than a dozen experts and scholars, including Liang Hongying, deputy director and former editor-in-chief of “Literary News”, fully affirmed the artistic quality and breakthrough innovation of the film “Power Code” after watching the film. The seminar was presided over by Song Zhiqin, executive deputy director of the China Federation of Literary and Art Circles Film Art Center.

Xinhua News Agency, People’s Daily Online, Guangming Daily, CCTV6 Movie Channel, China Youth Daily, China Daily, China News Agency, Beijing News, People’s Political Consultative Conference News, Literature and Art News, China Literature and Art Network, China Art News, China Press and Publishing Radio and Television News, China More than a dozen mainstream media, including film newspapers and popular films, participated in the report.

Gou benefits the life and death of the country, how can it be avoided because of misfortunes and blessings? The movie “Power Code” fully demonstrates the heroic, fearless and dedicated revolutionary career of Zhang Renya, an early worker member of our party during the period of “white terror”. , which restored a passionate and vivid revolutionary fighter, was highly recognized by experts and scholars participating in the meeting. They analyzed and evaluated “Power Code” from the aspects of the film’s cultural connotation, artistic features, and expression innovation.

Zhang Hong, a member of the party group of the China Federation of Literary and Art Circles, secretary of the Secretariat, and secretary of the branch party group of the China Film Association, said that after watching the film, he has a higher understanding of the “three musts”. , At the same time, we also feel the cleanliness, loyalty and responsibility of a Communist. He believes that the film has innovated in terms of angle, emotion and narrative. The perspective of choosing the treasury to write revolutionary stories is very unique. The love between father and son, mother and son, brotherhood and the vague feelings between revolutionary comrades, the words of love are deep and clever. , At the same time, the narrative is powerful, the narrative is compact, shocking, unexpected and smooth.

Zhong Chengxiang, a well-known literary critic and librarian of the Central Research Institute of Culture and History, affirmed the cultural self-confidence and cultural self-consciousness of Zhejiang, Anhui, and Jiangxi to join forces to cherish the red cultural resources left by Zhang Renya. He believes that “Power Code” is a film produced at a small and medium cost, combining realism and romanticism. The enlightenment is to tell us a problem facing the whole nation in the new era of great changes unseen in a century, how to pursue a lofty spiritual realm, stick to ideals and beliefs and win the hearts of the people, and improve the spiritual strength of the whole nation?”

Ming Zhenjiang, consultant of the China Film Association, chairman of the China Film Producers Association, and former director of Bayi Film Studio, said that this is a film with innovative ideas and breakthroughs in the creation of revolutionary historical films, and it is also very promising. A movie with a high degree of novelty, satisfaction and success. “Literary drama, martial arts, emotional drama, there is drama in the drama; gun battle, spy war, psychological warfare, the battle is wonderful; family, friendship and love, great love and pride; faith, faith and confidence, not forgetting the original heart”, he believes that the selection of film materials is unique and novel, the theme is clear, and the content is heavy , the plot is touching, and the characters are vivid. It is a breakthrough and innovation in genre films.

Liang Hongying, member of the Presidium of the Chinese Writers Association, deputy director of the Theoretical Criticism Committee, and former editor-in-chief of “Literary News”, pointed out that the film has made a powerful exploration of how to turn history into art from the aspects of narrative structure logic, perspective and character emotions, and believes that it has a strong reality. Significance is a film with weight and artistic content, which has made important contributions to the excavation of the party’s historical stories in recent years.

Zhang Sitao, chairman of the Film Literature Creation Committee of the China Film Association and former director of the Film Script Planning and Planning Center of the State Administration of Radio, Film and Television, believes that from an artistic point of view, the film embodies the integration of typology and commercialization in the creation of the main theme and red themes over the years. Try to combine the ideological content of the main theme, education, visibility, typification and other favorite ways, and even have elements of spy wars, suspense, and love, and combine ideological profundity and artistry. Infection, the production of visibility, realizes the unity of three natures.

Through the whole process of film script creation and the final presentation of the film, Qin Zhengui, deputy director of the China Propaganda Film Script Planning and Planning Center, felt the power of spirit, art and market. The power of art comes from the grasp of speed, including the sincerity of the whole emotion. He affirmed the handling of Xia Yilan’s character, how to be both existing and new at the same time, this is the brilliance of the film.

Tang Ke, deputy director of the program center of the movie channel and film producer, fully affirmed the emotional expression of revolutionary romanticism and the use of lens details in the film. He believed that the mix and match of genres formed a better dramatic tension and provided the audience with a better viewing experience. What impressed him the most was that Zhang Renya came home with precious documents and asked his father to help them collect them. In the scene where the father and son had a conversation, he used his father’s first braid cutting to tell his father why he did this, and quietly talked about his faith. , “This scene makes many things about this movie stand, and I want to give it a high praise.”

Zhao Weifang, director and researcher of the Film and Television Institute of the Chinese Academy of Arts, and vice president of the China Film Critics Society, highly praised the film for using suspense genres to write and express red culture——the story of the three brothers runs through the entire storyline, and every scene The suspense genre has been carefully compiled, and the ups and downs have been strived for, which has been done relatively well. At the same time, he fully affirmed the revealing nature of the film, affirming that the film highlights the power of human nature and the power of emotion.

Fan Zhizhong, Qiushi Distinguished Professor of Zhejiang University and Executive Dean of the International Film and Television Development Research Institute believes that the film has made a useful exploration in exploring major regional themes-breaking the topic with the 4.12 workers’ uprising, and by linking with major historical events and Greater Shanghai, Breaking through an epic pattern that was originally presented by regional themes; the expression of family affection is more through the relationship between father and son to present the power and brilliance of humanity; the narration of the two texts of the film, the excavation of the spirit behind the document, makes the document and the film It constitutes a kind of mutual kiss in itself, and it also enables us to better understand the reason why this batch of documents has been preserved by the father and son, and has been handed down to this day, illuminating history, illuminating people’s hearts, and illuminating the spirit.

Member of the National Committee of the Chinese People’s Political Consultative Conference, director and researcher of the Media Center of China Film Art Research Center, president of “China Film News”, president and editor-in-chief of “Contemporary Film” magazine Huangfu Yichuan believes that the most important feature of film narrative is to shape characters with emotion and drive Narrative, and through narration to show the inner emotions of the characters. From the perspective of party history films, he proposed that a story can make more young people like to watch it, and let them feel the inner spirit of historical figures conveyed by the story itself, which is of great value.

Zhao Ningyu, a famous director, screenwriter, actor, professor and doctoral supervisor of Beijing Film Academy, and vice president of China Film and Performing Arts Society, has accumulated profound experience in party history and military history. He believes that there are many film and television dramas that show the struggle history of our party and our army, but they often ignore that in the process of our party’s establishment and military struggle, workers are a real vanguard of workers and the first force. “Power Code” shaped The image of the worker representative Zhang Renya fills in the blank.

Zhang Chi, executive vice president and secretary-general of the Film Literature Creation Committee of the China Film Association, and director of the Film Creation Guidance Division of the Film Art Center of the China Federation of Literary and Art Circles, believes that the most touching and moving part of the film is the relationship between father and son. Small and medium cost films are more likely to be made from the perspective of characters and stories. He believes that the creative direction of “Power Code” is right. If this emotion can be made more transparent, the film will have a qualitative change.

Tian Yuan, Deputy Secretary-General of the Film Literature Creation Committee of the China Film Association and Deputy Director of the Film Creation Guidance Office of the China Federation of Literary and Art Circles, believes that it is a very successful small and medium-cost film, and the producer has found a type of successful experience. He fully affirmed the various emotions shown in the film. The father-son relationship that understands righteousness is set off by the more simple mother-child relationship, the brotherhood that is different from each other, and the fellowship of Ningbo even extends to the fellowship of the Chinese nation. And family love, revolutionary romantic hazy love and faith beyond the four emotions as a whole.

The movie “Power Code” was created by the Propaganda Department of the CPC Ningbo Municipal Committee, Ningbo Radio and Television Group, and the People’s Government of Beilun District, Ningbo City. It was produced by Ningbo Film and Television Art Co., Ltd., Anhui Film Group, Ningbo Cultural Tourism Group, and Bodi Film and Television. Shanghai Film Group, Jointly produced by Jiangxi Film Group and Hangzhou Yaruo Culture, created and produced by Ningbo Film and Television Art Co., Ltd. The film is directed by Gao Feng, written by Wang Tianyun and Duan Yuehao, chief producer Chen Sanjun, starring Zhang Tong and Chen Duling, and will be released nationwide on July 1.

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