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Integration of Civilizations “Camel Bell Ringing – Silk Road Art Exhibition” opens at Beijing Minsheng Museum of Modern Art

Integration of Civilizations “Camel Bell Ringing – Silk Road Art Exhibition” opens at Beijing Minsheng Museum of Modern Art


  

Integration of Civilizations “Camel Bells Ringing – Silk Road Art Exhibition” opening scene

At 3:00 pm on January 12, 2024, the fusion of civilizations “Camel Bells Ringing – Silk Road Art Exhibition” opened at the Beijing Minsheng Modern Art Museum, a public welfare institution donated and operated by China Minsheng Bank. The exhibition is planned by Beijing Minsheng Museum of Modern Art and jointly launched by more than 60 museums, cultural and art institutions, academic groups at home and abroad. The exhibition will officially open to the public on January 13, 2024, and will last until July 13.

Mr. Zhang Xu, Chairman of the World Tourism Alliance and former Vice Minister of the Ministry of Culture and Tourism, and Mr. Gao Yingxin, Chairman of China Minsheng Bank jointly opened the exhibition

Mr. Zhang Xu, Chairman of the World Tourism Alliance and former Vice Minister of the Ministry of Culture and Tourism, and Mr. Gao Yingxin, Chairman of China Minsheng Bank, jointly opened this exhibition!

Zheng Wanchun, President of China Minsheng Bank, delivered a speech

Zheng Wanchun, President of China Minsheng Bank, delivered a speech at the opening ceremony and said that today, on the occasion of the 28th anniversary of the founding of Minsheng Bank, we solemnly launch the fusion of civilizations “Camel Bells Ringing – Silk Road Art Exhibition”, which is not only a tribute to traditional Chinese culture Inheriting and promoting it pays high respect to the “Silk Road”, the material and spiritual link where Eastern and Western civilizations meet and integrate. It is hoped that through the “Civilization Series” art exhibitions, every audience will have a deeper understanding and love for Chinese traditional culture, and jointly contribute to the prosperity of Chinese culture.

Zhang Xu, Chairman of the World Tourism Alliance and former Vice Minister of the Ministry of Culture and Tourism, delivered a speech

Mr. Zhang Xu, Chairman of the World Tourism Alliance and former Vice Minister of the Ministry of Culture and Tourism, said that as a bridge between ancient Eastern and Western civilizations, the Silk Road carried the mutual blending, collision and integration of countless cultures, opening up an era of great exchanges in the history of human civilization. It stretches thousands of miles and lasts for thousands of years, and has accumulated the Silk Road spirit with peace and cooperation, openness and inclusiveness, mutual learning, and mutual benefit as its core. Today, in the exhibition hall of the art museum, we will walk into the long river of history together, feel the thousand-year splendor of the Silk Road, and appreciate the laws of ancient civilization.

Hang Kan, President of Yungang Research Institute, delivered a speech

Mr. Hang Kan, President of Yungang Research Institute, said that as one of the representatives of the exhibitors, he would like to express warm congratulations on the successful opening of the exhibition. In the past, museum-type exhibitions were standardized, but now exhibitions are presented in more and more diverse ways. This is also the fusion of civilizations. In the past, they were merging, and they are merging now. Who can lead the trend, not necessarily cultural museums. unit.

Lu Chenchen, deputy director of Harvard University’s Chinese Art Laboratory, delivered a speech

Lu Chenchen, deputy director of the Chinese Art Laboratory of Harvard University, introduced to the guests that the Chinese Art Laboratory of Harvard University specially brought the digital art work “Digital Luoyang” to this exhibition. At the same time, this exhibition is also the first time that the Chinese Art Laboratory of Harvard University and Cooperating with Chinese museums, it is a very important appearance to bring the works of Harvard University back to the Chinese audience. We hope that digital art and historical relics will complement each other in the exhibition.

Ma Hong, member of the Party Leadership Group and Deputy Chief Editor of Beijing Radio and Television Station, delivered a speech

Ma Hong, member of the party committee and deputy editor-in-chief of Beijing Radio and Television Station, said, “The ancient camel bell Silk Road, Hu Ma still heard the style of the Tang and Han Dynasties.” More than 2,000 years ago, our ancestors crossed the grasslands and deserts through blue strands of road and opened up the Silk Road connecting Asia, Europe and Africa. Diversified and dazzling Silk Road art has emerged from communication, integration, and creation. On the occasion of the tenth anniversary of the “One Belt, One Road” initiative, Beijing Minsheng Museum of Modern Art held a Silk Road art themed exhibition, focusing on more than 400 precious cultural relics, vividly demonstrating the profound historical and cultural connotation of the Silk Road, which not only brought us spiritual It not only provides edification and cultural enlightenment, but also helps promote the continuous development of Silk Road culture in the new era.

Li Feng, Director of Beijing Minsheng Modern Art Museum, presided over the opening ceremony of the exhibition

The opening ceremony of this exhibition was presided over by Mr. Li Feng, Director of Beijing Minsheng Museum of Modern Art. The opening ceremony was attended by: Zhang Xu, Chairman of the World Tourism Alliance and former Vice Minister of the Ministry of Culture and Tourism, Executive Vice President of the China Cultural Relics Exchange Association and former National Hu Bing, deputy director of the Cultural Relics Bureau, Hang Kan, director of the Yungang Research Institute, Zhang Yuanlin, deputy director of the Dunhuang Research Institute, Li Yan, deputy director of the Xi’an Museum, Zhang Jianwen, deputy director of the Luoyang Tomb Museum, and Lu Chenchen, deputy director of the Chinese Art Laboratory of Harvard University Professor, Ma Hong, a member of the Party Leadership Group of Beijing Radio and Television Station and deputy editor-in-chief, etc.; relevant persons in charge of China Minsheng Bank also attended the scene.

Integration of Civilizations “Camel Bells Ringing – Silk Road Art Exhibition” opening scene

After the opening ceremony, the opening roundtable forum of the Silk Road Exhibition – Starting from the Silk Road was also held as scheduled. The forum was opened by Liu Zhenzi, Chairman of Beijing Minsheng Museum of Modern Art, who delivered an opening speech; Rong Xinjiang, Chair Professor of Liberal Arts at Peking University and President of the China Dunhuang Turpan Society; Chen Ling, Professor at the School of Archeology and Museology at Peking University and Director of the Silk Road Archaeological Research Center at Peking University; Li Jun, chair professor and director of the Department of Art and Design of the University of Macau, delivered keynote speeches.

Silk Road Exhibition Opening Roundtable Forum—Starting from the Silk Road

After the keynote speech, the roundtable discussion officially began, hosted by He Xilin, Qiushi Distinguished Professor of the School of Art and Archeology of Zhejiang University and Director of the Art Archeology Research Center of the Central Academy of Fine Arts. The guests participating in the discussion were (in no particular order, in alphabetical order by name) : Geng Shuo, associate professor of the School of Humanities of the Central Academy of Fine Arts and deputy director of the Art Archeology Research Center, Hang Kan, Dean of the Yungang Research Institute, Huang Xiaofeng, Dean of the School of Humanities of the Central Academy of Fine Arts, Li Tianming, Director of the Maijishan Grottoes Art Research Institute, Harvard University China Lu Chenchen, deputy director of the Art Laboratory, Wang Jinxian, director of the Qinghai Provincial Museum, Yin Jinan, an art history scholar and doctoral supervisor at the Central Academy of Fine Arts, Zhao Feng, dean of the School of Art and Archeology of Zhejiang University, and Zhang Yuanlin, deputy dean of the Dunhuang Academy.

Silk Road Exhibition Opening Roundtable Forum – Starting from the Silk Road Host He Xilin

Rong Xinjiang, Chair Professor of Liberal Arts at Peking University and President of China Dunhuang Turpan Society

Chen Ling, professor at the School of Archeology and Museology, Peking University

Li Jun, Professor Chair Professor and Head of the Department of Art and Design, University of Macau

Zhao Feng, Dean of the School of Art and Archeology, Zhejiang University

Zhang Yuanlin, Vice President of Dunhuang Academy

As an important part of the “Civilization Series Exhibitions” of Beijing Minsheng Museum of Modern Art, this exhibition focuses on the integration of civilizations. The exhibition uses five chapters: “Preface”, “Earth”, “Human World”, “Sky” and “Art Eternal” to describe the rich artistic aspects of the Silk Road. The preface explains how Beijing Minsheng Art Museum presents the human civilization presented by the Silk Road from an artistic perspective. The first chapter, “The Earth,” uses three parts: “Land of the Ancestors,” “Silk,” and “Difficulties in Traveling” to describe the different imaginations that the Silk Road brought to people in the East and West before Zhang Qian’s passage to the Western Regions. The second chapter, “The Human World,” presents the colorfulness and diversity of Silk Road art from multiple angles through five parts: “Hu Rong and Han Appearances,” “Hundred Life Styles,” “Ten Thousand Miles of the Same Text,” and “New Sounds of Ancient Music.” The third chapter “Sky” focuses on spiritual power and is divided into four sections: “Multiple Beliefs”, “Buddhism Spreading to the East” and “Transforming Brahma into Summer”. The fourth part, “Persistence of Art”, is the conclusion. The “treasures” on the Thousand-Year Silk Road have their brilliance and the regret of disappearing. The art left behind will last forever because of people, blooming with beautiful artistic appeal and spiritual energy.

Integration of Civilizations “Camel Bells Ringing – Silk Road Art Exhibition” opening scene

As the largest Silk Road art exhibition in history, “Camel Bells Ring – Silk Road Art Exhibition” mainly presents the art of the eastern section of the overland Silk Road, from Luoyang, Chang’an to Xinjiang. The exhibition uses a 6,000 square meter large temporary exhibition to present more than 500 component works on the eastern section of the Silk Road from Luoyang and Chang’an to Kashgar and Hotan. The exhibits include more than 400 components of first-, second- and third-level cultural relics from more than 10 provinces, municipalities, autonomous regions, and 35 cities including Xinjiang, Qinghai, Gansu, Shaanxi, Shanxi, Shandong, Henan, Beijing, and Tianjin. Many works are on public display for the first time. The exhibition also collaborated with Harvard University to launch the special multimedia project “Yongning Silence”; collaborated with Xia Qiong Temple, the first of the four ancient temples in Qinghai and with a history of 700 years, to launch the special project “Mandala Sand Painting”; collaborated with a famous Japanese university and a 700-year-old temple Ryukoku University jointly launched the special project of Bezeklik Cave 15. At the same time, the Kucha Institute has re-enacted Cave 8 of the Kizil Grottoes and newly presented Cave 38 for the first time, and has received support from important academic institutions such as the Museum of East Asian Art in Berlin, the University of Munich, and the National Library of Norway.

Integration of Civilizations “Camel Bells Ringing – Silk Road Art Exhibition” opening scene

“The Ringing of Camel Bells – Silk Road Art Exhibition” presents the vitality of Silk Road art from multiple angles from an artistic perspective, through paintings, sculptures, statues, utensils and other physical objects, supplemented by sounds, images, multimedia, etc. The exhibition boldly innovates and incorporates a contemporary perspective, allowing modern and contemporary art to be adjacent to ancient cultural relics and treasures, and inheritance and innovation to coexist in time and space, allowing the audience to be in a completely different “Silk Road time and space” in the past, thereby experiencing the shocking beauty of the blending of civilizations and historical evolution. , through cultural relics and current artistic creations, people can feel the depth of history and the significance of cultural inheritance and innovation. To provide more followers with the contemporary answer to “Why the Silk Road” from the perspective of an art institution, and to open up a new way of narrating and viewing the Silk Road. The exhibition features a collection of masterpieces, including the simple and mysterious felt hat from Xiaohe Cemetery in Xinjiang, which dates back to about 4,000 years ago; the gold mask from the Warring States Period to the Southern and Northern Dynasties inlaid with luxurious rubies; the early Tang Dynasty “Bao Guan Buddha” in the Tainan Cave of Longmen Grottoes weighs 7 tons and is majestic. ; The relief Arhat statue of Longmen Kanjing Temple is not only included in art history textbooks, but the experience of being stolen overseas and finally returning is full of legends; the figurines of the barbarian on the road eating cakes and riding camels describe the hardships of businessmen’s life thousands of years ago; the Tang Dynasty While copying “The Analects of Confucius”, the primary school students begged their husband to leave school early. Going home is the child’s most sincere wish… Stars gathered together to create an artistic field that spans time and space for the public. The “Silk Road” is not only a trade road, but also a road of art and civilization. Horse hooves cluttered, camel bells rang, and various cultures and civilizations collided on the Silk Road as they traveled east to west. “Art” spread, grew and evolved along the Silk Road in various ways. Statues, murals, calligraphy, etc., which we today regard as carriers of art, originally had functions such as the spread of faith, temple or funeral decoration, and legal documents. After thousands of years of rain and wind, their practical functions no longer exist, leaving behind the beauty of form for future generations to appreciate in the name of cultural relics and art.

Integration of Civilizations “Camel Bells Ringing – Silk Road Art Exhibition” exhibition site (media tour)

The planning of this exhibition was upgraded and produced by the original production team of “The Mark of Civilization-Dunhuang Art Exhibition”. In order to plan this exhibition, the curatorial team traveled to the border in the west and the sea in the east. They visited 15 provinces, municipalities and autonomous regions, and 35 cities, traveling 100,000 miles, negotiating with more than 100 cultural and museum institutions, and inspecting 10,000 cultural relics. Many of the works finally presented were exhibited in Beijing for the first time, such as Hotan Museum’s “Wooden Carved Column”, Xi’an Institute of Cultural Relics Protection and Archeology’s “Stone Carvings, Line Paintings, Landscape Paintings, Stone Coffins and Rubbings”, Qinghai Provincial Museum’s “Gilted Western Gods?” “Character with Beads and Silver Belt”, “Seated Statue of Tathagata Buddha with Treasure Crown” of Longmen Grottoes, etc. Some works can only be displayed for three months due to the protection of cultural relics. The exhibition will also feature seven masterpieces by the “Guardian Saint of Dunhuang” Chang Shuhong, as well as rare modern and contemporary works by Han Leran, the first person in China to study Kizil Grottoes art. During the exhibition, Beijing Minsheng Museum of Modern Art will work with various partners to organize various types of public art education activities, including themed forums, academic lectures, youth study activities, and multi-category art workshops.

Integration of Civilizations “Camel Bells Ringing – Silk Road Art Exhibition” exhibition site (media tour)

The exhibition is chiefly sponsored by China Minsheng Bank and fully supported by Beijing Minsheng Culture and Art Foundation. As a long-term benefactor of Beijing Minsheng Modern Art Museum, China Minsheng Bank has devoted itself to public welfare undertakings since its establishment. “ESG”) rating was rated AA, the highest level in the banking industry in mainland China.

Integration of Civilizations Some works from the exhibition “Camel Bells Ringing – Silk Road Art Exhibition”↓

The exhibition will be officially open to the public from January 13, 2024, and the exhibition period will be from January 13, 2024 to July 13, 2024.



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